In a significant move, Denmark has chosen Magnus von Horn’s evocative film, *The Girl With the Needle*, as its submission for the prestigious Academy Award for Best International Feature Film. The film brings together a stellar cast, including Vic Carmen Sonne and Trine Dyrholm, to tell a haunting narrative inspired by one of Denmark’s most infamous crime stories. By blending haunting realism with fairy tale elements, von Horn presents a vivid representation of life for those living on society’s fringes, particularly in the turbulent years following World War I.
A Narration of Survival and Friendship
Set against the backdrop of post-World War I Copenhagen, the story centers on Karoline, portrayed by Sonne, a factory worker grappling with the adversities of a shattered society. Facing unemployment, abandonment, and an unplanned pregnancy, her plight is a microcosm of the struggles many faced during that era. The film takes a darker turn when Karoline comes into contact with Dagmar (Dyrholm), a compelling figure operating an underground adoption network. This relationship unfolds as a lifeline for Karoline, who chooses to become a wet nurse amidst growing despair. Their bond forms the emotional core of the film, intricately illustrating how connections can blossom even in the bleakest circumstances.
However, this nurturing relationship takes a startling turn as Karoline uncovers chilling truths about the nature of Dagmar’s operation, shattering her illusions and forcing her to confront harsh realities. This plot twist serves as a powerful commentary on the complex moral dilemmas faced by those striving for survival, a theme that resonates as both timely and timeless.
The film has garnered favorable critiques, with *Deadline* hailing it as “an unequivocal and beguiling triumph.” Such praise sets high expectations for its upcoming theatrical debut in New York and Los Angeles, scheduled for December 6, distributed by MUBI. The backing of prominent institutions including The Danish Film Institute and its collaboration with international partners like The Swedish Film Institute indicates a well-orchestrated effort to elevate Danish cinema on the global stage.
Jacob Neiiendam, head of international relations at The Danish Film Institute, emphasized the unanimous decision made by the Oscar Submitting Committee, highlighting *The Girl With the Needle* as Denmark’s most promising contender for an Oscar nomination this year. This speaks not only to the film’s artistic merit but also to its potential to resonate with international audiences.
This cinematic feat marks von Horn’s first venture into Danish-language filmmaking, building on his previous works that received international attention, such as the Swedish *The Here After* and the Polish *Sweat*. His ability to navigate and depict challenging themes with sensitivity and depth sets him apart as a visionary director in contemporary cinema.
With a rich history of success in this category, including four Academy Awards for previous Danish films, hopes are high for *The Girl With the Needle* to follow in their footsteps. As anticipation builds, the film signals a renewed exploration of historical narratives through the lens of personal experiences, ensuring its place in the ongoing conversation about the human condition in times of crisis.
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