The world of performance arts has lost an influential figure with the passing of Lynne Taylor-Corbett, a renowned choreographer known for her contributions to both Broadway and film. Taylor-Corbett, who succumbed to breast cancer at 78 years of age on January 12, left an indelible legacy that shaped the dancing landscape in multiple capacities. Her son, Shaun Taylor-Corbett, confirmed her death to The New York Times, highlighting a career marked not only by creativity but by groundbreaking performances that pushed the boundaries of dance.
Born Lynne Aileen Taylor on December 2, 1946, in Denver, Colorado, Taylor-Corbett’s passion for dance emerged early. After high school, she pursued her dreams at the prestigious School of American Ballet in New York City. However, she soon realized that the classical ballet route was not her calling. Instead, Taylor-Corbett found her true strength in choreography, emphasizing theatricality and expressive movement. Her ability to fuse storytelling with dynamic choreography redefined the way characters are portrayed in performances.
Taylor-Corbett made a significant impact in the Broadway scene beginning in the early 1980s. Her impressive repertoire included work for esteemed institutions such as the American Ballet Theater and the City Ballet, establishing her as a prominent figure in dance. She made her Broadway debut in 1981 with “Shakespeare’s Cabaret,” and quickly followed up with a series of remarkable productions. Her work on “The Boys of Winter” in 1985 further showcased her talent, but it was the musical “Chess” in 1988 that brought Taylor-Corbett into the limelight, albeit briefly, as it was short-lived but garnered attention.
Another pinnacle in her Broadway career came in 1994 when she choreographed the play “Sally Marr…And Her Escorts,” a project that notably starred comedian Joan Rivers. Here, she intertwines her choreographic vision with theatrical storytelling, showing her versatility in different genres. One of her most celebrated works, however, was the grand musical “Titanic” in 1997, which not only highlighted her incredible choreographic abilities but also her capacity to tackle large-scale productions. Taylor-Corbett’s success continued with the musical revue “Swing!” in 2000—a project that earned her Tony nominations for both direction and choreography, affirming her prowess within the industry.
Beyond the theatrical realm, Taylor-Corbett’s talents were also recognized in Hollywood. One of her most iconic moments arrived with the 1984 film “Footloose,” where she choreographed Kevin Bacon’s iconic dance sequences. This scene has become a cultural touchstone, often referenced and parodied in popular media. The infectious energy that emanated from Bacon’s performance is a testament to Taylor-Corbett’s ability to translate stage brilliance into compelling screen moments. Her collaborations didn’t stop there; she lent her expertise to films like “My Blue Heaven,” “Vanilla Sky,” and “Bewitched,” always bringing a unique flair to each production.
Taylor-Corbett’s impact is multifaceted; she not only shaped dancers and performers but also inspired budding choreographers. Her work reflects a seamless blend of entertainment and artistry, illuminating the stage and screen alike with emotion and creativity. Her approach has left an enduring mark in both the worlds of theater and film.
Lynne Taylor-Corbett is survived by her son and sisters, leaving behind a family legacy that emphasizes creativity and artistic expression. Her contributions to dance have created a foundation that will continue to inspire future generations of performers and choreographers. Though she may no longer be with us, the resonance of her work will be felt long into the future, reminding us of the power of dance as a vital storytelling medium. Her life and artistry are a testament to the belief that movement transcends boundaries and that creativity knows no limits.
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