During Rishi Sunak’s general election announcement near No 10, a surprising song began blaring which caught the attention of viewers. The song, “Things Can Only Get Better” by D:Ream, was not a random choice but rather a deliberate selection with a historical significance. This song was the official anthem of Sir Tony Blair’s victory for Labour in 1997. The choice of this particular song seemed strategic, invoking memories of a time when the Labour Party experienced a landslide victory. However, the twist in this performance was that it wasn’t the Labour Party playing the song, but a prominent anti-Brexit campaigner, Steve Bray, who used the song as a form of protest against the Conservatives.
Steve Bray’s act of playing “Things Can Only Get Better” outside No 10 was not merely about nostalgia for past political victories. It was a deliberate maneuver to highlight the stark differences between the promises of political parties and the realities faced by the public. By referencing the song from the Labour Party’s victorious campaign in 1997, Bray sought to draw a parallel between the optimism of that time and the current political climate. His act was less about supporting Labour and more about critiquing the Conservative government and its policies.
“Things Can Only Get Better” carries a symbolism that transcends party lines. The song’s message of hope and optimism resonates with people across generations and political affiliations. Its resurgence on the iTunes music chart after being played outside No 10 is a testament to the enduring relevance of its lyrics. Despite being associated with a specific political party, the song has taken on a life of its own, becoming a symbol of resilience and a reminder that change is always possible.
Steve Bray’s act of playing “Things Can Only Get Better” may have been a momentary interruption, but it signifies a larger trend of political activism and protest. Bray’s commitment to buying more amplifiers and continuing his protest during the election campaign indicates a determination to make his voice heard. While the method of protest may vary, the underlying message remains consistent – a call for change and a rejection of the status quo.
The performance of “Things Can Only Get Better” outside No 10 was more than just a musical interlude. It was a symbolic gesture that challenged the political establishment and called attention to the disconnect between political promises and lived realities. As the election campaign progresses, it will be interesting to see how such acts of protest shape the public discourse and influence the political landscape.
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